Ethereal jazz
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Lubinsky used legal proceedings to halt distribution, claiming Scott was under contract to Savoy. The album was eventually rescued and released in and has been widely hailed as one of the great jazz vocal albums. Hear Jimmy Scott On Fresh Air In The experience of having his album shelved — not to mention the hardships he experienced being misidentified as a woman, accused of drug addiction and harassed about his sexual identity because of his voice — took a toll and Scott left the music business, moving back to his native Cleveland and becoming a hotel clerk.
A record executive in attendance heard the performance and signed him to a record contract on the spot, kick-starting Scott's second act. This time adulation came rushing in, resulting in a string of albums that received both popular and critical acclaim. He even appeared in the final episode of the singular TV hit Twin Peaks. For most of his nearly nine decades Scott's life and art were affected by loss: first his mother's death when he was 13, then the personal slights and missed opportunities in his fractured career and decades of anonymity away from the record business.
Although much of his musical education centered on classical music, his main interest was jazz, and he gained recognition as part of the group Sonic Fusion. While the album's compositions would definitely qualify as fusion, do not expect Mahavishnu Orchestra here.
Ethereal Kinks has some very cool melodic chord melodies and tasty phrasing throughout. There are also some definite influences at work here, but they are subtly blended in, resulting in more nuanced passages than direct references. This is one of the standout moments on the album, and it sounds as if it could easily be a jam band staple.
Other tracks on the album also reference popular music in a somewhat indirect manner.
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The experience of having his album shelved — not to mention the hardships he experienced being misidentified as a woman, accused of drug addiction and harassed about his sexual identity because of his voice — took a toll and Scott left the music business, moving back to his native Cleveland and becoming a hotel clerk. A record executive in attendance heard the performance and signed him to a record contract on the spot, kick-starting Scott's second act.
This time adulation came rushing in, resulting in a string of albums that received both popular and critical acclaim. He even appeared in the final episode of the singular TV hit Twin Peaks. For most of his nearly nine decades Scott's life and art were affected by loss: first his mother's death when he was 13, then the personal slights and missed opportunities in his fractured career and decades of anonymity away from the record business. In , The New York Times called him "perhaps the most unjustly ignored American singer of the 20th century.
I'm a singer, and I never lost sight of that. Hampton also delivered the first of many professional slights in when he left Scott's name off on an early hit, " Everybody's Somebody's Fool. Throughout the early '50s and '60s, Scott recorded for various indie labels including Savoy, where he was under the tight control of owner Herman Lubinsky.
According to Scott's autobiography, The Life of Jimmy Scott written with David Ritz , Lubinsky halted production of a album that was personally supervised by Scott fan Ray Charles for his own Tangerine label. Lubinsky used legal proceedings to halt distribution, claiming Scott was under contract to Savoy. The album was eventually rescued and released in and has been widely hailed as one of the great jazz vocal albums. Hear Jimmy Scott On Fresh Air In The experience of having his album shelved — not to mention the hardships he experienced being misidentified as a woman, accused of drug addiction and harassed about his sexual identity because of his voice — took a toll and Scott left the music business, moving back to his native Cleveland and becoming a hotel clerk.
A record executive in attendance heard the performance and signed him to a record contract on the spot, kick-starting Scott's second act.
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